FAME: MADONNA: A Graphic Novel

FAME: MADONNA: A Graphic Novel
CW Cooke (Author)

New!: $7.99 (as of 02/19/2013 18:46 PST)
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Madonna

Once upon a time we all knew her as the Material Girl, but now, the world over knows her as Madonna, a one-woman extravaganza. Before there was Lady Gaga, Beyonce, Christina Aguilera, or Britney, there was Madonna. She''s a pop sensation, actress, writer, activist, mother, and director. It''s a Madonna world, and we''re all living in it! This "Fame" edition features tons of extras!

• Rank: #7550142 in Books
• Published on: 2013-02-13
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Paperback
• 40 pages

Description #1 by eBay:

Fame Pop Stars Graphic Novel (Taylor Swift, Lady Gaga, Justin Bieber More) Condition - NM/Mint - Just Off The Shelf Condition Fame offers a broad examination of strong and influential personalities who are influencing culture. In this collected edition learn about the top pop stars of the decade - Taylor Swift, Lady Gaga, Justin Bieber, and Britney Spears. - Combined Shipping On Multiple Items Available - Please wait for invoice to pay to receive this savings. - Iowa customers MUST add sales ta

Description #2 by Overstock.com:

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Description #3 by eCrater - asounddeal:

LORDS OF THE NEW CHURCHWILL & THE KILL11" x 17"CONCERT POSTERCAVE CLUBAUSTIN TEXAS1987POSTER ARTIST: FRANK KOZIKCONDITION: EXCELLENT - 9 OF 10TOP CONDITIONFIRST ONLY ORIGINALRARE!Biographyby Bill CasselFormed in 1981, the Lords of the New Church had a formidable intercontinental punk rock pedigree. Singer Stiv Bators and guitarist Brian James were founding members of Cleveland's Dead Boys and London's the Damned, respectively, both successful and influential punk pioneers. (Note: Much like Keith Richard(s), Stiv spelled his surname both with and without a terminal "s" at various points in his career. Throughout his time with the Lords, however, he was billed as Bators.) Bassist Dave Tregunna and drummer Nick Turner were veterans of Sham 69 and the Barracudas, which were less seminal but still well-known. But while the Lords' music had elements of punk, it was more melodic, better-produced, and played with a higher degree of professionalism. This alienated some of the hardcore punk audience, but brought the Lords a much wider and more diverse fan base.The genesis of the Lords was in 1980 when Bators and James, having split from their previous bands, renewed an aqcuaintance that began when the Dead Boys opened for the Damned on CBGB dates and an English tour. The two experimented for a time with different rhythm sections, rehearsing briefly with ex-Generation X bassist Tony James and ex-Clash drummer Terry Chimes (how's that for a punk rock supergroup?). A lineup of Bators, James, Tregunna, and Damned drummer Rat Scabies played a single 1980 gig as the "Dead Damned Sham Band." But by the time the Lords' self-titled debut album appeared in 1982, Turner had replaced Scabies to form the lineup that would remain fixed throughout the band's most productive years.Though the album was well-received, the Lords became more notorious for their live shows, or more specifically for Bators's crazed abandon as a performer. A devotee of Iggy Pop, Bators had in his Dead Boys days developed a reputation for being unafraid to risk his life in pursuit of rock & roll glory. He suffered innumerable on-stage injuries during his career, the most famous being the time he reportedly nearly hung himself during a Lords show. As the story goes, a favorite stunt of Bators' where he looped the mic cord around his neck went awry, resulting in his being clinically dead for several minutes. Nonetheless, Bators survived to record two more successful albums with the Lords, 1983's Is Nothing Sacred? and 1984's The Method to Our Madness. After this, though, the Lords appeared to lose their creative impetus.They continued to record sporadically including an amusing single where they violated Madonna's "Like a Virgin" and two excellent new tracks for the best-of Killer Lords, but by 1985, the Lords had slowly begun to disintegrate. Tregunna left, was replaced for a time by Grant Fleming, and then returned. A second guitarist, Alistair Simmons, was added and then sacked. Turner quit and was replaced by Danny Fury. After 1988, Bators back injury led James to advertise for a replacement singer -- a temporary one, he claimed -- the Lords split acrimoniously, but not before Bators played the encore of his last show wearing a T-shirt that bore an enlargement of James' newspaper ad. Possibilities of any future Lords reunions were quashed when Bators died in 1990 of injuries sustained when he was struck by a car in the streets of Paris. . Frank Kozik was born in Spain and by 1981 he had found his way to Austin. Much of his earliest work was done with the Art Maggots. In 1987 Kozik began designing posters for the Cave Club, which was eventually relocated by owner Brad First to 6th Street as Club Cairo, which begat in turn the Cannibal Club. Kozik's raw early style, often calculatedly offensive, became popular with bands such as Austin's Butthole Surfers. A Poison 13 concert was cancelled by University of Texas officials, reportedly in response to Christian students complaints about the poster Kozik had designed for the show - an unflattering rendering of Baby Jesus roasting on a "Char-Boy" barbeque grill. Though Kozik was very active locally during the late Eighties, he has been working primarily on West Coast projects lately, often in conjunction with California's L'Imagerie. Under its auspices he now has his own shop for screen printing, a process he was exposed to while working at Bee-Bop Printing in 1987. - jagmo.comBiographyby Jason Ankeny Much as the poster art of Stanley Mouse, Rick Griffin and Wes Wilson remains synonymous with the psychedelic culture of the 1960s, so too do the designs of Frank Kozik embody the look and attitude of the grunge era; defiantly garish and proudly unsettling, his work springs forth from the collective unconscious of a generation, his subversive appropriation of universal icons and images translating into often brilliant graphics mirroring the power and visceral intensity of the music they promote. Born in 1962 and raised primarily in Spain, Kozik settled in the US in 1976, and after toiling in a series of dead-end jobs along the west coast he relocated to Austin, Texas in 1981. There he began teaching himself graphic design, influenced largely by the bold imagery of Russian military poster art as well as classic cheesecake pin-ups. A fixture at area club dates, Kozik eventually began assembling posters promoting live appearances by a friend's band; when local promoters realized shows promoted by Kozik designs were better-attended than those without, he was off and running. From 1986 onward, he produced about a poster a week, with early commissions for Austin bands like the Butthole Surfers and Scratch Acid winning underground acclaim; the turning point, however, was a piece for the industrial duo Chris and Cosey -- prominently featuring a photograph of a World War II victim, the poster crystallized both Kozik's irreverent attitude and his fondness for appropriating key cultural touchstones, the cumulative effect launching him among the most distinctive practitioners of an artform ripe for resurrection. As Kozik's eye-popping day-glo posters continued to grow in fame during the late 1980s, so did the notoriety of his take-no-prisoners approach -- his work became infamous for both embracing and destroying pop culture icons, with notable images including Fred Flinstone in the junkie regalia of Sid Vicious, a dying Lee Harvey Oswald recast as a punk shouter, and the Archies on a bender. Nuns, Hitler, Charles Manson -- none were too provocative for his pen, with recurring motifs including crucifixions, bondage and the ultimate Kozik image, the Devil Girl, the embodiment of his attraction to and fear of women. With the rise of grunge during the early 1990s, his designs were seemingly everywhere, and as bands like the Melvins, Mudhoney and Nirvana emerged from Seattle, Kozik posters heralded their live appearances across the country. As the revival of rock concert art made its way into the mainstream media, Kozik was widely hailed as the leader of a new generation of craftsmen, with features on his life and work published in outlets including Newsweek, Rolling Stone and Details. In 1992, he was honored with his first solo exhibit at La Luz de Jesus Gallery in Los Angeles, with shows following in New York City, Chicago and San Francisco (his home from mid-1994 onward) as well as Sydney, Australia, Zurich, Switzerland and Tokyo, Japan. A collection of Kozik's work was additionally prepared for exhibition at the opening of the Rock and Roll Hall of Fame in Cleveland, and a Nine Inch Nails design was included in the Smithsonian Art book Posters American Style. In 1995, Last Gasp Publications also issued Man's Ruin: The Posters and Art of Frank Kozik, a collection of his most popular and infamous work. By the mid-1990s, Kozik had also begun expanding into commercial design, with work commissioned by Entertainment Weekly, Nike, BASF and Lincoln Center. Most importantly, in 1995 he formed Man's Ruin, a record label initially begun as a singles-only enterprise. Inaugurated with a ten-inch disc from the Sonic Boom side project Experimental Audio Research, Man's Ruin releases were typically limited-run pressings lavishly packaged in sleeves created in Kozik's trademark style, the company's formation a reflection of the artist's continuing interest in underground music as well as his affection for the enduring vinyl format. In time Man's Ruin also began issuing CD editions of its releases, among them projects from acts including Steel Pole Bathtub, the Dwarves and Kyuss. This is an original single sheet printed paper poster advertisement (AKA street art, handbill, flyer or print) for a concert performance gig by professional musicians at a music venue. Guaranteed original and authentic, printed prior to, and in conjunction with the promotion of the event. A Sound Deal does not sell poster re-prints, scans or duplications of any kind, so please don't ask. Add me to your favorites for red hot sales bulletins and sneak previews of upcoming products. Combine Items to Save $$$!!!Click here to check the store for more!{C}A Sound Deal